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21
Your Weekly Blog / Re: February 2026
« Last post by Frank Fremerey on February 13, 2026, 10:39:03 »
Golf 3
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Camera Talk / Re: The Lens Adapter Nikon REFUSED to Build
« Last post by MILLIREHM on February 13, 2026, 09:33:43 »
Nikon's reputation for backward compatibility rests on a single decision in the mid-80s when AF appeared and a lot more electronic communication was needed, and Nikon decided not to do what Canon did in 1987 and change its mount. Whether Nikon's was a choice to favour backward compatibility over electronics or backward compatibility was invented retrospectively as the excuse for a dumb mistake I don't know, but I suspect the latter is more likely. 

I have never seen Nikon advertising that made or implied a guarantee of backward compatibility. In the 1990s, soon after Canon had spectacularly trashed backward compatibility, Nikon advertising made a point of saying that any F mount camera could use any Nikon lens made after 1977. But it was and has never been a major selling point because then, as now, it was innovation and new features that sold. Nikon's Press Release for the D1, eg, has 500 words on sensor, exposure, 4.5 fps etc, etc, and 13 on backward compatibility:  "Its innate flexibility allows D1 to accept more than 80 Nikon F-mount lenses"; in the D3 press release there is not a word about backward compatibility; in the Z system press release all it says is "the new mount adapter will enable compatibility with NIKKOR F mount lenses".

In the digital era backward compatibility has been the exception rather than the rule. The vast majority of the dSLRs Nikon sold - D5600, D5500, D5300, D5200, D5100, D5000, D3500, D3400, D3300, D3200, D3100, D3000, D80, D70, D60, D40, and D40X - are not AF-D compatible. On the same list of cameras, Ai lenses can be used but exposure is manual only. Backward incompatibility of new lenses with cameras even a few years old was usual, even at the high-end: E diaphragm lenses, introduced from 2014, won't work on a D1, D2, D100 or D200, made until 2007; AF-P lenses, introduced in 2016, do not AF on F6, D1 series, D2 series, D40 series, D50, D60, D70 series, D80, D90, D100, D200, in the case of the DX lenses D300 series (made until 2012), D700, D3000, D3100, D3200, D5000, D5100.
Regarding backward compatibility Nikon made the decision to keep its mount and seemed to be right then as Canon was initially struggling with EOS mount and the ultrasonic motors. Here it seemed to offer a smoother transition to support both in Camera and in lens AF-motors like Nikon. Tide changed when F4 still hat one AF centerfield and even more important when it took Nikon years to provide fast Supertele lenses (and still AF-I fist) at a time when Canon provided IS (a technology where Nikon originally was pioneer). These years in the late 1980s were the times when Nikon lost the pros (and did not regain this leading position until now. Nikon never was leading in overall sales, always had the third position behind Minolta and Canon there. Becoming second in the early digital SLR era and after Minolta has faded away was a new situation.
Coming back to compatibility Nikon keeping the bayonet saw itself forced to make two vast changes (G lenses and then E-lenses) to finally bring communication to fully electronic which in hindsight might lead to the thought that a radical change might have been favorable (finally Canon had to change mount again with mirrorless and so did Nikon)
You described the lack of compatibility throughout all these changes, especially with beginners models,  but for  a long period of time when you bought in high-end cameras you got more (but still notunleashing the full potential) support. BTW when G-type lenses were announced Nikon pretended that this is not a general change but just another option for cheap beginners lenses - until the release 70-200/2,8 showed that Nikon in fact had other aims.
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Camera Talk / Re: The Lens Adapter Nikon REFUSED to Build
« Last post by MILLIREHM on February 13, 2026, 09:18:33 »
One of the best decisions Nikon ever made was to take the opportunity of the shift to mirrorless cameras to design a new mount. The large diameter and short flange focal distance of the Z mount gives lens designers opportunities they did not have in F mount. As a result, the Z mount lenses are consistently better than their F mount predecessors - but "consistently better" doesn't make headlines. The Noct and the Plena were intended to make headlines. Nikon said that the Noct "serves as the symbol of the superior optical performance achieved with NIKKOR Z lenses. It takes advantage of the superior design flexibility made possible by the combination of the large-diameter (inner diameter of 55 mm) Z mount and 16 mm flange focal distance to realize an f/0.95 maximum aperture, the fastest in Nikon history".
Nikon indeed made a good decision with the widest bayonet and the shortest flange distance. Now every lens can be adapted to a Z Camera and Z lenses only used for
The downside is that adapted F-mount lenses handle more unbalanced to handle than on an F-mount Camera. Most of the Z lenses and even the wideangle lenses (except the few pancakes) are rather long and bulky.
Regarding Z-mount Nikon did not unleash the full potential so far. Given the Size of the Noct and the fact that there are much smaller f/0,95 a lens of the size and weight of the Z-Noct could as well be f/0,7. The potential of higher speed lenses manifested (besides Noct and Plena) only in the 35 and 85 mm f/1,2 up to now.

Nikon also has a track record of making lenses and cameras just for engineering reasons. The Nikon Camera Chronicles FM3 story makes it very clear that the camera was made because the engineers wanted to have one more try at making the perfect manual film camera before the digital tsunami swept both the market and the engineering expertise away. The Z6 was made to see how good an electronic SLR could be. They didn't expect to sell a lot of either camera, because they made no attempt to manufacture a lot. Having made the decision to structure the Z system around optical design they were always going to see what the engineering limits were, even if the result didn't sell a lot.   

You described now very well that publicity is important and there is something like detour profitability. So there are pieces of gear that do not sell in numbers but make users dream, make them more attuned to Nikon, make them believe they belong to the communitiy of thoseusing the best camera system and such like. So now coming back to our desired advanced FTZ adapter Nikon could have made anengineering  marvel out of it and make headline and show that they uncomparably support their long-term users and value the Nikon gear they have bought in the past. It wont address the mass market I would certainly buy one or two of those and I certainly would not be alone.

BTW: You did write Z6 but mean the F6 or D6 I guess.
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Camera Talk / Re: The Lens Adapter Nikon REFUSED to Build
« Last post by Les Olson on February 13, 2026, 07:05:58 »
It is the combination of an action camera with a higher pixel density than FX that made it for me and many other nature photographers. A true D500 equivalent today would be a 40MP DX camera with Z8 capabilities, and personally, I would preorder it, even at Z8 pricing.

If you have a 400mm lens you have to be 22m from a 2m lion to fill the FX frame - get 45MP on the lion with a Z9. On DX you can be 33m away and fill the frame - with your hypothetical camera you get 45MP on the lion from further away, or at the same distance you can use a 300mm lens instead of 400mm and save some money. But with an 800mm lens and a Z9 you get 45MP on the lion at 40m. So, if you can be confident of getting within 40m and you have an 800mm lens on your Z9 you don't get a pixels-on-target advantage with DX.

That means you also have to factor in the quality and availability of very long focal length lenses and how well target recognition and tracking AF utilise them. Z has turned this upside down. The AF-S 800/5.6 cost US$16K and sold 3.8K between 2013 and now - effectively up to 2018. The Z 800/6.3 costs US$7000 and has sold 13K since 2022. In Z mount, a lot more people can afford a lot more reach.

Of course, there will always be occasions you can't get close enough, whether because the animal is too small or too elusive, but the pixels-on-target advantage of DX in the D5/D500 days has been eroded in Z mount.
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Themes, Portfolio Series, PaW, or PaM / Re: [THEME] Panorama, not stitched
« Last post by pluton on February 13, 2026, 06:06:41 »

Meanwhile I agonised over the white balance on this image

As the others have stated, the overall WB and color comes across well.  I think you might be up against the limitations of sRGB to make the green any more vivid.
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Your Weekly Blog / Re: February 2026
« Last post by ARTUROARTISTA on February 12, 2026, 23:51:45 »
A nice portrait of a common subject.  Small birds are hard to get right I think - move too dammed fast and their size works against getting big images.
Gracias, thank you Hugh, Bruno, Frank, y John
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Your Weekly Blog / Re: February 2026
« Last post by ARTUROARTISTA on February 12, 2026, 23:47:00 »
almond blossoms, Cartagena countryside
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Camera Talk / Re: The Lens Adapter Nikon REFUSED to Build
« Last post by David H. Hartman on February 12, 2026, 19:55:27 »
The Minolta 7000 Maxxum had Focus Priority AF so even if the lens was in focus if the camera didn't detect sharp focus you could not take your shot. I found the Minolta 7000 Maxxum's AF useless. I spent a few minutes with the 7000 Maxxum at Gayson's Camera in Glendale, CA lost all interest in the camera.
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Themes, Portfolio Series, PaW, or PaM / Re: [THEME] Panorama, not stitched
« Last post by ColinM on February 12, 2026, 19:47:46 »
When I have similar issues with white balance, I select a Linear Curve (Capture One), and works with RGB and Luma curves manually, often with better results.
I like your shot, and the fluorescent green color of moss can be tricky!   

Thanks Lars
Sadly the only tool I own is NX Studio

I sometimes take a WB reading for important work (which im usually pleased with),
but not for everyday shots like this
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Let us hope that it was a momentary lapse.
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