Few books unfortunately have high print quality, in my experience, most show some visible raster in the image, and some friends of mine who have had their photography printed in a book, have complained about the color matching as well. I by far prefer the inkjet prints to the print quality of books. Perhaps I just haven't seen well-printed books.

B&W is more likely to look good in books than color, but still seems to require a commitment to high-end printing by the publisher; of course color adds color hue rendition issues.  On the other hand, way back in the 1990's I had a friend that would shoot snapshots on 35mm color neg film, and then take the 4x6" machine prints to the local color Xerox shop and have 8x10" color Xeroxes made. Everyone loved that they were on plain paper, had exaggerated color saturation, blobby low resolution and being ink, didn't have the plastic "RC color photo paper" look.

You love Crewdson? https://gagosian.com/artists/gregory-crewdson/

Great shot, Øivind, light, composition and timing.

What a beautiful shot, full of ambiance and story telling. The use of the negative space and rhythm of the lights... Strong grit indeed and the timing rounds it up.

   Thanks for sharing it.

Thanks Frank, Bruno and Paco, much appreciated. 
Frank, I was unfamiliar with Crewdson  and only see a weak connection, but thanks for the link.

Here is one more for the next days post. What is not to like about the possibilities of such dense fog in an urban environment?

Thank you Frank

My wife's Christmas decorations for 2025

I like it; the decor is natural, fun, and clever. I like the photo too.

This image works on many levels Lars

For me too. It will be interesting on its own before the anomaly and it sings with it.

Many thanks, Colin and Paco. I also have a version without the snowflake, but I do like this one - sings with it, is nice Paco.