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Your Weekly Blog / Re: December 2025
« Last post by Fons Baerken on Today at 08:53:19 »
I see some nice pictures on this blog thanks for sharing!
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"Strolling"



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Your Weekly Blog / Re: December 2025
« Last post by pluton on Today at 07:33:13 »
last night I went to a very special concert, featuring accordion, recorders of various sizes and electronic live remixing of these.



Fascinating combination of instruments!
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Lens Talk / Re: The Focus Point of it All
« Last post by Les Olson on Today at 06:05:53 »
Leonardo objected to outlines, which were and are widely used in painting (here is Giotto using them in the Lamentation in the Scrovegni Chapel and Picasso using them in his portrait of Gertrude Stein), because we don't see outlines, we just see the end of one colour and the start of another. Leonardo didn't object to the boundaries between colours being sharp - at least in good light and for near objects (he also knew that atmospheric effects cause distant objects to be less sharp and paler than near objects).

Leonardo thought the eye worked like a camera obscura. He studied the camera obscura carefully, and he knew that in the camera obscura image blur is not related to subject distance. Leonardo had been dead for 100 years before anyone (Kepler) understood that what we see is an image formed by a lens, for which image blur is related to subject distance. Basic lens concepts like focal length were only worked out in the late 17th century and the optics of depth of field were only worked out in the 19th century.

Until the 20th century being aware of objects being "out of focus" was relatively uncommon. Although everyone who is old enough to have lenses in their eyes that have lost the capacity to change shape and has to wear corrective lenses for close work with a slightly different correction for reading a book vs a computer screen is seeing the effect of depth of field, that is not how they understand their vision problem or how it is discussed at the optometrist's. The hyperfocal distance of the human eye is about 6m, so even someone like me with no accommodation to speak of only needs correction for short distances, and young people with 10 dioptres of accommodation don't see depth of field even if they have refractive error, because accommodation happens in the brainstem, isn't represented in consciousness and can't be suppressed. It is important to remember that short-sightedness was relatively uncommon until recently because children spent more time outdoors, and in a world where there are no phones or televisions and relatively few people can read, presbyopia is not a problem.

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Your Weekly Blog / Re: December 2025
« Last post by Tom Hook on Today at 05:15:05 »
Airplane hanger on a cold and windy day. This building and air field dates back to the early 1930’s.
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Your Weekly Blog / Re: December 2025
« Last post by ARTUROARTISTA on December 30, 2025, 23:09:21 »
The same place as above, but in black and white. The D200 lets you shoot in black and white, I like that.
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Your Weekly Blog / Re: December 2025
« Last post by Lars Hansen on December 30, 2025, 20:57:50 »
Some daring individuals to take advantage of the not-so-white Holydays (Z8 Z 24-120mm)

A great shot Øivind, with an atmosphere I remember from my childhood when there were icy winters with thick ice on the lakes to ice skate on all day till sundown :) Now, that is more rare around here - and probably for more daring individuals like those in your image :o
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Your Weekly Blog / Re: December 2025
« Last post by ARTUROARTISTA on December 30, 2025, 20:57:12 »
Orange groves in Murcia, today. D200 and MIR-24H 2/35
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Themes, Portfolio Series, PaW, or PaM / Re: [Them] Graffiti
« Last post by Fons Baerken on December 30, 2025, 19:21:18 »
Joe Cool

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Themes, Portfolio Series, PaW, or PaM / Re: [Them] Graffiti
« Last post by John Geerts on December 30, 2025, 18:57:39 »
Part of five walled painted tunnel

Posted earlier in December 2025

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Your Weekly Blog / Re: December 2025
« Last post by John Geerts on December 30, 2025, 18:40:15 »
Early dark

D850  28/1.4E
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