[Theme] Long Exposure Thread

[ArendV]

The biking bridge in Geertruidenberg with the smoking pipes of the powerplant in the background

[John Geerts]

That's a nice one, Arend. Colours and atmosphere.  It almost looks 'historical' 

[Anirban Halder]

  Jørgen Ramskov, very cool effect with your phantom night bus.

+1. Beautiful shot Jørgen.

I like Arend's biking bridge shot a lot. Reflection on water, smoke from the chimneys - everything is so perfect.

Moon over the mountains and the village. shot @10pm

D600, 30 sec, 16mm, f8, ISO 100

a few minutes earlier. Same position, opposite direction
D600, 16mm, ISO 100, 65 sec, f6.3

rgds,
Andy

Out of the world shots; at least out of my world.  So beautiful!

[Anirban Halder]

A rural railway station. West Bengal, India.
Fuji X-T10, 18-55. 1/2 second.

[Jakov Minić]

Anirban, lovely action BLUR

[Anirban Halder]

Anirban, lovely action BLUR

Thanks Jakov. 

[Frank Fremerey]

moving over the light field
grazing impressions

[Bjørn Rørslett]

Some NG members claim UV cannot make 'artistic' pictures. As any other  attempt of making a limited domain for creative expressions by setting fixed rules, it fails.

Street Photography by Invisible Light

[Frank Fremerey]

This is a very nice example. I'd like to see more utilisation of UV for pictorial use

[charlie]

This is a very nice example. I'd like to see more utilisation of UV for pictorial use

I agree, perhaps that should be a new thread in itself. For the time being here is a UV capture off the coast of Malibu, California several years ago. UV photography as a facilitator of long daytime exposures.

D70, PB4 Bellows with Wollensak 138mm lens

[Thomas G]

stumbling through the archive... looking for travel destinations
Svolvær, Lofoten, Norway, D700, 17-35/2.8

!:Fountain by lumofisk, on Flickr

[Jan Anne]

Nice topic and some very nice contributions.

On this hiking trip I was going as lightweight as you can go with the D3s and only carried the 16/3.5 fisheye and 50/1.2.  Exposure is 30 seconds because I forgot to bring a remote, I never understood why the cameras have this silly limit. But with a clean ISO4000 and a headlight to paint the cave and foreground I could bag a nice memory of that special evening of sleeping in the cave (an inside image was posted in the moon topic).


D3s with 16/3.5, Spain 2011

[golunvolo]

Charlie, that UV works really well. The ambiance you created is very special.

 Thomas, I think the person who did the fountain had something like that in mind when creating it. It enhances the shape and movement.

   Coming right at me at Gran Vía, Madrid.

[BW]

I have a pretty long one This exposure was done from 20. of june 2014 to 21. of august 2014. Guess the f-stop and camera?

[Jakov Minić]

D3 f/256