Author Topic: February 2019  (Read 69363 times)

golunvolo

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Re: February 2019
« Reply #180 on: February 16, 2019, 00:03:43 »
More green than blue.

Fons Baerken

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Re: February 2019
« Reply #181 on: February 16, 2019, 07:23:58 »
Lovely [false]color choices, Fons.

Thank you Keith.
Channel swap on a 720nm filter and some small colour/hue adjustments within ps.

Frank Fremerey

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Re: February 2019
« Reply #182 on: February 16, 2019, 09:21:21 »

Great shot.

But ACR 12 ?  I only know version 11.2



Yes, ACR 11.2 published on 12 Feb 2019
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Fons Baerken

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Re: February 2019
« Reply #183 on: February 16, 2019, 09:55:35 »
February 16

Stamina



D850 Voigtländer 125/2.5

Birna Rørslett

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Re: February 2019
« Reply #184 on: February 16, 2019, 12:01:57 »
Men at Work


(Df,105/2.5)

Frank Fremerey

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Re: February 2019
« Reply #185 on: February 16, 2019, 17:25:30 »
Sometimes it's best not to know too much of what an object is. Certainly expensive, as it was located in the front yard of a very posh office building.


Pretty in Pink (??)

looks expensive and brainy
You are out there. You and your camera. You can shoot or not shoot as you please. Discover the world, Your world. Show it to us. Or we might never see it.

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Frank Fremerey

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Re: February 2019
« Reply #186 on: February 16, 2019, 17:29:21 »
nothing special. just a sunny winter morning near our city. birds singing ... early signs of spring?
You are out there. You and your camera. You can shoot or not shoot as you please. Discover the world, Your world. Show it to us. Or we might never see it.

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John Geerts

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Re: February 2019
« Reply #187 on: February 16, 2019, 18:58:38 »
An old pond in the middle of the City woods.

D850   Zeiss  25/2.8

pluton

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Re: February 2019
« Reply #188 on: February 17, 2019, 07:08:14 »
Brrr...
Nice one Tom, lovely pale colors of winter.
Keith B., Santa Monica, CA, USA

golunvolo

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Re: February 2019
« Reply #189 on: February 17, 2019, 10:40:43 »
One eyed minimal rehearsal

Hugh_3170

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Re: February 2019
« Reply #190 on: February 17, 2019, 11:16:55 »
Frank, thanks for showing us this image and the detail that you have extracted from it.

How many images have you combined here and what exposure separation between them did you choose?

My edit of the day, 19 years after I shone light on a piece of slide film I notice that there is a lot of information in that film I have never seen before. I further notice, that ACR12 is a great RAW converter for D850-NEFs!!!

*getting wet on dog days*


Hugh Gunn

Frank Fremerey

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Re: February 2019
« Reply #191 on: February 17, 2019, 12:47:23 »
Frank, thanks for showing us this image and the detail that you have extracted from it.

How many images have you combined here and what exposure separation between them did you choose?




this is only one picture shot in RAW. I guess the DR of the D850 is higher than the DR of the film. That means that I can extract details from the shadows and the highlights by

a. converting the NEF without losing shadows or highlights
b. Developing the 16 Bit Tiff result with a HDR plugin in Photoshop.

Example: The red jacket is black in the slide projection, but the D850 can see it as underexposed color...
You are out there. You and your camera. You can shoot or not shoot as you please. Discover the world, Your world. Show it to us. Or we might never see it.

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Hugh_3170

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Re: February 2019
« Reply #192 on: February 17, 2019, 14:17:47 »
Thank you Frank -  I have ~3,000 slides waiting to be digitised, so your comments are appreciated.

D850 prices have dropped here, so now is a good time to look into that one as well!  ;)
Hugh Gunn

Frank Fremerey

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Re: February 2019
« Reply #193 on: February 17, 2019, 16:41:48 »
Frank, I love that photo!  Capturing the puppy shimmying the water off and the person shielding from it!

 

thank you, did not see the comment before
You are out there. You and your camera. You can shoot or not shoot as you please. Discover the world, Your world. Show it to us. Or we might never see it.

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Thomas Stellwag

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Re: February 2019
« Reply #194 on: February 17, 2019, 17:11:39 »
the one eye is a great composition
Thomas Stellwag