I still have to play with the video. One try that same night shows again that the ISO performance is excellent, the vr works much better than I thought and using the viewfinder is more discrete in a dark place. I´m ready to record in 10 bit with external recorder and n-log. The bottleneck will be my skill. I´m a bit concerned about how much I can record with one battery in one go. I hope it covers at leas 90-120 min to be able to get a whole show in one take.
A few perks and questions:
Biggest one so far: the viewfinder shows a brighter image than is recorded in dark environments, not so much with bright light. Histogram helps but not so much and it is distracting. I have tried to bring the brightness down a couple of points but is still confusing. One of the reasons to push pp so much to star with. I´ll get use to it but any idea in that regard will be appreciated.
Highlight mettering works better than in the d500 too but still not perfect. Manual is the way to go.
I can´t get a clean image in the screen. There is always something over. It bothers me. I´ll make it an option too.
14 vs 12 bits? It speeds it up. 12 fps is nuts. I can live with 9 fps without problems but I can´t decide if it is worth the extra space. All my cameras has been shooting in 14 bit when possible until now. Ideas?
The manual lenses with cpu all work like a D, locking it at the smallest apperture and controlling it from the dials.
Non cpu AI and AIS do not record the apperture even if the correct info is in the memory back and, weird, the 80-200 ed does not work. It ask for the lens to be stopped down and lock even if it already is. That led to a little experiment: it works in the d200, d700, d500, and d750; it does no in Z6, d5300 and it does not work in the d80 ir (Lola) but it did before
I don´t know why.
Overall I´m very happy with her. I hope this gives useful information