Author Topic: 300mm f2 article  (Read 8458 times)

chambeshi

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300mm f2 article
« on: December 31, 2016, 13:23:24 »
This illustrated essay gives a comprehensive history of a state of the art Optic, and its variants

http://www.company7.com/library/nikon/Nikon_0300f2.html

all very best to you all for 2017 and we can await with impatience announcements of new gear to commemorate the Nikon Centenary!

Woody

Erik Lund

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Re: 300mm f2 article
« Reply #1 on: December 31, 2016, 14:36:35 »
Yes it is a very comprehensive although very cinematography oriented ;)
Erik Lund

Bjørn Rørslett

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Re: 300mm f2 article
« Reply #2 on: December 31, 2016, 14:38:03 »
I once owned a 300/2 Nikkor. I still regret that I sold it, but did keep its matching TC-14C though ...

Frank Fremerey

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Re: 300mm f2 article
« Reply #3 on: December 31, 2016, 17:31:23 »
Andy has at least one of these
Ego autem dico vobis: diligite inimicos vestros

Ilkka Nissilä

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Re: 300mm f2 article
« Reply #4 on: December 31, 2016, 17:40:11 »
It's very hard to find examples of its use online. Most articles don't include application samples...

benveniste

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Re: 300mm f2 article
« Reply #5 on: December 31, 2016, 21:09:51 »
This illustrated essay gives a comprehensive history of a state of the art Optic, and its variants

http://www.company7.com/library/nikon/Nikon_0300f2.html

Woody

Cool.  Has anyone seen in person a 300mm f/1.4 Ultra-Micro-Nikkor?
http://earthpics.ca/wp/galleries/300mm-f1-4-ultra-micro-nikkor/

Airy

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Re: 300mm f2 article
« Reply #6 on: December 31, 2016, 21:25:54 »
It's very hard to find examples of its use online. Most articles don't include application samples...

No wonder. What's the photographic equivalent of "tennis elbow" ?
Airy Magnien

Bjørn Rørslett

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Re: 300mm f2 article
« Reply #7 on: December 31, 2016, 21:28:26 »
No wonder. What's the photographic equivalent of "tennis elbow" ?

Boat Anchor

That 300 isn't pleasant to haul around. You do get bruises.

Bjørn Rørslett

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Re: 300mm f2 article
« Reply #8 on: December 31, 2016, 21:33:03 »
Very few pictures remain from my 300/2 epoch as all were on film and most of the material is lost.

This is a very early spring morning (March) with fresh snow fall. so dark that even with my F4, it was not trivial to focus the 300/2. This is at f/2 by the way.

thedutchflyer

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Re: 300mm f2 article
« Reply #9 on: December 31, 2016, 23:01:43 »
Bjørn-
it´s a great and mighty picture to me-
did see it a long time ago and liked it a lot and still like it .

and :
Happy new year to all the members and readers on NikonGear
best wishes for the times coming !  :)

Joergen

Andy

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Re: 300mm f2 article
« Reply #10 on: January 05, 2017, 13:24:31 »
Andy has at least one of these
Not "at least", Frank :) Only one :D
according to the s/n must have been made around june 1984

This thread is maybe a good reason to get it out of the case ......

One of the few images I have kept on my webserver - known to some of you



rgds (and Happy New Year to All)
Andy


John Koerner

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Re: 300mm f2 article
« Reply #11 on: January 06, 2017, 19:27:57 »
Not "at least", Frank :) Only one :D
according to the s/n must have been made around june 1984

This thread is maybe a good reason to get it out of the case ......

One of the few images I have kept on my webserver - known to some of you

rgds (and Happy New Year to All)
Andy

That is very cool

JJChan

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Re: 300mm f2 article
« Reply #12 on: January 07, 2017, 01:07:13 »
I read Jeffrey Friedl's blog. He has one.

There's a couple of photos with him using it and it looks big. Also lots of photos showing the character of the lens.

http://regex.info/blog/index.php?s=300mm

JJ

 

John Geerts

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Re: 300mm f2 article
« Reply #13 on: January 07, 2017, 11:27:05 »
Thanks for the link JJ.

I am wondering what the real difference is with the 200/2 in terms of bokeh? Smaller DOF?     The 200mm looks more convenient than a 300mm (apart from the size and weight of the 300/2)

Roland Vink

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Re: 300mm f2 article
« Reply #14 on: January 07, 2017, 19:29:35 »
300/2 has an entrance pupil similar to a 400/2.8, so has a similar ability to isolate a subject against an out of focus background, but with the shorter focal length.