Author Topic: November 2019  (Read 68669 times)

Luc

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Re: November 2019
« Reply #180 on: November 21, 2019, 22:24:34 »
November 21

shopping carts



D850, 16mm f/2.8ais
Well spotted and executed, Fons.

Frank Fremerey

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Re: November 2019
« Reply #181 on: November 22, 2019, 10:21:57 »
morning walk
You are out there. You and your camera. You can shoot or not shoot as you please. Discover the world, Your world. Show it to us. Or we might never see it.

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Fons Baerken

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Re: November 2019
« Reply #182 on: November 22, 2019, 11:36:07 »

Fons Baerken

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Re: November 2019
« Reply #183 on: November 22, 2019, 15:31:42 »
November 22

from below



D850, 14-24mm f/2.8

John Geerts

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Re: November 2019
« Reply #184 on: November 22, 2019, 17:13:42 »
There was sun...

Frank Fremerey

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Re: November 2019
« Reply #185 on: November 22, 2019, 18:49:01 »
evening serendipity
You are out there. You and your camera. You can shoot or not shoot as you please. Discover the world, Your world. Show it to us. Or we might never see it.

Me: https://youpic.com/photographer/frankfremerey/

Jack Dahlgren

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Re: November 2019
« Reply #186 on: November 22, 2019, 23:09:56 »
Green light

Tom Hook

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Re: November 2019
« Reply #187 on: November 23, 2019, 01:29:50 »
Looking East late in the day as a storm moves to the southeast. Taken with a 35S and Z7. Good combo! Having recently bought a set of the complete Rembrandt Paintings, Etchings and Drawings, I find it affects the way I look at things. What would Rembrandt have done with a digital camera looking at this November scene? Such tantalizing thoughts! (By the way, it's the cocktail hour here in the Nutmeg state.)

Frank Fremerey

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Re: November 2019
« Reply #188 on: November 23, 2019, 07:21:03 »
Looking East late in the day as a storm moves to the southeast. Taken with a 35S and Z7. Good combo! Having recently bought a set of the complete Rembrandt Paintings, Etchings and Drawings, I find it affects the way I look at things. What would Rembrandt have done with a digital camera looking at this November scene? Such tantalizing thoughts! (By the way, it's the cocktail hour here in the Nutmeg state.)

The reproductions of Rembrandt: Did you buy them in a box? How good are the colors reproduced? can you see the the print matrix or are these pigmented ink prints? Are you happy with them?
You are out there. You and your camera. You can shoot or not shoot as you please. Discover the world, Your world. Show it to us. Or we might never see it.

Me: https://youpic.com/photographer/frankfremerey/

Tom Hook

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Re: November 2019
« Reply #189 on: November 23, 2019, 15:07:21 »
Hi Frank,
Taschen this year released a set of two volumes of Rembrandt, one of his complete paintings, the other of his complete engravings and drawings in what the publishers term their XXL size (approximately 12 by16 inches each). Some of the works are on matte paper, others smooth. I also own Bosch, Bruegel, Caravaggio, Velazquez, Vermeer, da Vinci and Michelangelo in the same series. Of course reproduction color quality can only really be judged by comparing them directly to the works themselves but I am impressed by this series, especially the Rembrandts. Since I can't afford to buy the paintings themselves, I have ordered custom prints directly from the museums that own the individual works of art that I particularly favor to eventually frame in my home. For instance, I have from the Prado, Bosch's Seven Deadly Sins (La Mesa) and have on order a few more of other artists from other museums (including two Rembrandts although I couldn't get Abraham's Sacrifice from the Hermitage because it is currently "out of stock", whatever that means). The whole process is very satisfying. As I was spending a couple of days with Velazquez recently, I began to notice the similarities with certain poses and expressions of people I come across in my everyday life. In my dotage, I imagine I will be looking at these books frequently and with great pleasure. There may be better printed collections but these satisfy my tastes. Also, after a certain point, the books could become unwieldy and I would need a Sherpa to help me get them off the shelf and set them up for viewing.  :P

Frank Fremerey

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Re: November 2019
« Reply #190 on: November 23, 2019, 15:18:38 »
...or an art presenting robot ROTFL

thanks for your ecplanation
You are out there. You and your camera. You can shoot or not shoot as you please. Discover the world, Your world. Show it to us. Or we might never see it.

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CS

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Re: November 2019
« Reply #191 on: November 23, 2019, 18:01:29 »
Carl

John Geerts

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Re: November 2019
« Reply #192 on: November 23, 2019, 18:02:59 »
Hasseltse Chapel (14th century) and Postelse Hoeve 15th century

Andrew

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Re: November 2019
« Reply #193 on: November 23, 2019, 18:12:15 »
That's the good one, John!!
Andrew Iwanowski

Frank Fremerey

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Re: November 2019
« Reply #194 on: November 23, 2019, 18:44:59 »
Hasseltse Chapel (14th century) and Postelse Hoeve 15th century

Super das Spalierobst!
You are out there. You and your camera. You can shoot or not shoot as you please. Discover the world, Your world. Show it to us. Or we might never see it.

Me: https://youpic.com/photographer/frankfremerey/