In this case, the 'straight' shot works fine for me. The photographer saw, composed, recorded.
Tilting a wide angle lens and getting falling lines ("keystone effect") is not the stylistic apostasy it once was. Modern audiences are exposed to, and familiar with, the extreme effects of wide and long lenses.
Despite the enduring charm of the classic photo styles free of obvious or unflattering optical effects, I feel it is, in a way, more honest to render the scene the way the lens saw it.
