It is very difficult to get a true UV bandpass filter without it having a "side lobe" transmitting in the IR range. So what one wishes for is
sufficient IR suppression if the objective is pure UV photography. Preferable IR transmittance should be on the order of 10
-3 or lower. The best filters do 10
-4 or better. In practice one then can do, for example, studio UV photography using studio flash with uncoated Xenon tubes to give maximum UV output yet be ensured the IR coming through the filter is negligible (my newest flash unit is 1600 W/s and one
really has to shield the eyes from its harmful UV delivery).
The above is a preamble to my recommendation of selecting the filter for which the UV/IR ratio is maximal. The transmittance itself of UV is not super critical as a lower value can be circumvented by increasing exposure time (or flash output) (within limits of course), as long as IR is suppressed to a sufficient degree.
If you are not familiar with
www.ultravioletphotography.com do visit that site for loads of information on filters and all thing UV.