I found a mint copy of the 105/1.8 : no scratch, no dust inside. This lens has been debated elsewhere; so just a few remarks:
- very bright image through the EVF, and easy to focus (although the ring is a bit stiff)
- Good sharpness wide open, not so good near MFD, but loads of LoCA at all distances
- Sharpness increases massively at f/2.8, where it looks comparable to the 105/2.5 at f/4
Overall, it is an impressive lens. However that sample cost 749€, also because it is in perfect shape. I do not mind paying for the optics, but if I have to pay for the cosmetics in addition, the price might result in being too high. Here, I said pass. If someone would like to buy it, I'll send him or her the address (in Paris).
The purpose of the shopping spree was however to pick a 50/1.8 AI. There were two for sale, all very clean and nice. One sample had a slightly irregular focussing stiffness near MFD; its f/2 stop position notch was too easily skipped, and it seemed to have slightly (very slightly) more LoCA. So I picked the other, slightly older sibling (ser. no. 202... instead of 212...).
Interesting behaviour: at f/1.8, I still do not like them - some blueish haze, as with my later pancake AIS version. By contrast, the Voigtländer 58/1.4, while not much sharper, behaves way better even at f/1.4. But at f/2.0, the haze of the 50/1.8 AI is more or less gone (more distinclty than with the late AIS I have, ser. No. 4xxxxx) and the vignetting is much more discreet; sharpness remains the same, i.e. it is reasonably good. So that lens was a deal. The pancake AIS will later get back to the shop where I bought it, which happens to be the same (le Moyen Format, Boulevard Beaumarchais).
The 50/1.8 AI seems sharper than the 50/2 at 2.0-2.8 settings, but at f/4, the situation seems to reverse, with the 50/2 taking the lead.
Hmmm... more A/B comparisons in perspective.
Provisional conclusion: 50/1.8 AI is best used at f/2 - f/2.8. The 50/2 deserves its reputation for sharpness, if stopped down. And yes, that 105/1.8 is one sexy lens.