I agree with your explanations Ikka, but what you call lightweight lenses in Z series (1,8/50 = 415g ; 1,8/35 =370g; 1,8/85 =470g... not looking the length of these lenses, between 8 and 10cm) has nothing to do with 1,8/50 AFS-G (170g and 52,5mm length) or with the compact 1,8/50 Ais (145g and 27,5mm length); I understand also that new Z-S lenses are better performers but for myself, I would wish some shorter, lighter, more discrete (street photography) but also well built lenses...
I believe there are several manufacturers offering manual focus lenses for Z mount and they will probably increase in number.
For AF, the lenses need to accommodate the focusing motor. I would first wait to see how the new compact Z Nikkors perform (both in terms of image quality and autofocus) and then judge them for what they are.
I love optical viewfinders but for some documentary situations where silence (or quietness) is important, I will probably get some Z gear.
For this I was thinking that the 20/35/85 from the S-line would be a good fit for me, but to make the camera appear as small as possible while still maintaining autofocus and a reasonably fast aperture, the 40/2 seems tempting. In that case I might get the 24/1.8, 40/2 and 85/1.8. But here I am assuming that the image quality is such that it can hold its own.
Though I must say I believe the photographer's behavior is more crucial than the size of the lens in achieving a situation where the subjects are either not aware of the photographer or at least can ignore his or her presence. But in this era of mobile phone photography, a compact lens can't hurt if the goal is not to be the center of attention. Still, in a lot of documentary photography, f/2.8 zooms seem to be standard practice so in comparison with those, even the f/1.8 S-line lenses are relatively small.