Thank you all for the responses.
Thanks for the "wow" Erik. The post is heavy in images. I can select fewer images and it will be easier to comment on single ones but the point of the workshop is to create a series of movements/emotions that can be caught, repeated and shared between the participants. With that in mind and knowing this another kind of place I cut down from over 100 selected images to this ones. Trying to streak a balance. Sorry if in trying to reflect the experience is not working.
Trying to limit the space in a dance place is not the norm, not even in the images. I´m happy you find them special Frank.
Getting in with the emotions is key for me. I found is "La raison d'être" for dance. Focusing (sic) in wich part of the body/space represents the zenith of that relationship is a perpetual work in progress for me. I try to get that, be feet, shoulder, neck, torso, hips, spine... and the rest may take care of itself. That maybe the reason sometimes parts of the body -that I thought not as important for the expression- are cut out. That´s the dancer in me? It will be an interesting point to wonder how someones training or profession can alter the way they see, as in photography, or what the deem important because of that.
It is not a question of fixed lenses: I had the 14-24, 24-70 and 80-200 2.8 with me as well as 50 1.4G and rodenstock 100mm 1.6 and two bodies, d700 and d750. I just like to get in the action
Adding a close up with the 14-24. By the third day I knew the choreography and they trust me to be "in" for a while.
Sharing here back and forth is a genuine pleasure and privilege Mr and Ms Elsa and Jakov, Erik, Frank, Armando