NikonGear'23
Gear Talk => Camera Talk => Topic started by: RonVol on March 22, 2016, 00:37:12
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Last night I was watching a Steven Spielberg movie from 1977.
Titled 'Close Encounters of the Third Kind', I couldn't help but notice this assembly of Nikon F2 bodies..............set up as a tracking array for photographing UFOs. The bodies could be seen rotating through the horizontal axis but not the vertical.
Several Nikkors there as well: Reflex-Nikkor 500mm, 200mm f/4 and others.
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Another F2 from the same movie.
Can't make-out what the lens is though.............doesn't look like a Nikkor to me.
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Dennis Hopper in Apocalypse Now, as The Photojournalist.
These cameras suffered a lot....
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I recall an article about the first Star Wars movie where the models of the star ships where shot with a Micro Nikkor 55mm,,,
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I recall an article about the first Star Wars movie where the models of the star ships where shot with a Micro Nikkor 55mm,,,
Yes, that's correct Erik......................and many other lenses including a 15mm f/5.6.
Nikon Owner magazine published an interview with Richard Edlund (the cinematographer & chief miniature/optical cameraman) where most of the lenses used were shown in the article..............including a Printing-Nikkor!
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Yes that was it! Thanks' ;)
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Even the much frowned-upon 43-86 is included in the stellar collection ....
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Sorry, no photo, but Doug Trumbull used a Nikkor 28mm PC lens on the 65mm cameras for miniatures in Blade Runner. At least that's what he told us in 1984.
Also, the sequence near the beginning of Terminator 2, which depicts air to ground combat on the "future Earth," was shot with a Nikon 28mm/2.8 Ais lens on a VistaVision camera. That I saw in person.
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Nikkor and Nikon Movie history ;D Thanks for sharing!!!
My humble PC-Nikkor 28mm f/4 with Shift and Tilt and a CPU
(https://farm6.staticflickr.com/5759/23181226449_11096e968c_b.jpg) (https://flic.kr/p/BjrR16)_EGL6893 (https://flic.kr/p/BjrR16) by Erik Gunst Lund (https://www.flickr.com/photos/erik_lund/), on Flickr
Full Tilt
(https://farm1.staticflickr.com/576/22922111513_ee59ed681c_o.jpg) (https://flic.kr/p/AVxPac)_EGL6883 (https://flic.kr/p/AVxPac) by Erik Gunst Lund (https://www.flickr.com/photos/erik_lund/), on Flickr
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Nikors have a good pedigree ;D
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gorillas in the mist :o :o :o
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(http://camaracoleccion.es/imagenes/La_vida_secreta_03.jpg)
i was scratching my head when i saw this. i didnt like the movie at all and this made me hate it more :o :o :o
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(http://www.nikonland.eu/forum/uploads/monthly_09_2013/post-1544-0-69396400-1378276717.jpg)
might be a documentary :o :o :o
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Julia Roberts in Stepmom.
With a F5
(https://s-media-cache-ak0.pinimg.com/736x/4e/4e/9f/4e4e9f28390537e074db554762a4d5c4.jpg)
And with an E2s, Nikon's first steps in DSLRs together with Fuji.
(http://aasland.smugmug.com/Public/NikonWebcom/juliarobertsfujix2/1130455667_bGyRx-M.jpg)
More info on this special camera here http://mir.com.my/rb/photography/companies/nikon/htmls/models/digitalSLRs/E2E2s/index.htm (http://mir.com.my/rb/photography/companies/nikon/htmls/models/digitalSLRs/E2E2s/index.htm)
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http://petapixel.com/2012/07/10/top-10-films-that-feature-nikon-cameras/ (http://petapixel.com/2012/07/10/top-10-films-that-feature-nikon-cameras/)
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there was a nick cage movie called "Bangkok Dangerous" (what a title,lol!)
there was a scene where Nicolas Cage stole a couple of Nikons from a reporter. :o :o :o
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Blow-up, the movie from Michelangelo Antonioni.
The protagonist uses the Nikon F and this is probably the 50/1.4 ? He also uses a 85/1.8.
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Nikkor and Nikon Movie history ;D Thanks for sharing!!!
My humble PC-Nikkor 28mm f/4 with Shift and Tilt and a CPU
That's a nice one. Is it tilt as well as shift?
Do you have a little space left in your luggage to take this one with you to Schotland? :D
I would like to try it.
Thanks in advance
Edit - I already found out you modified it. :D
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The Lost World (Jurassic Park II).
Juliane Moore holds the new Nikon F5.
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Sidney Poitier used a Nikon F and a Nikon F Photomic (Bullseye).
(https://images-na.ssl-images-amazon.com/images/I/51CMMY1WHML.jpg)
(http://www.stripes.com/polopoly_fs/1.208722.1361311563!/image/image.jpg_gen/derivatives/landscape_804/image.jpg)
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In those days, the hallmark criterion for a photojournalist was the "clack-clack" sound the camera made when they crashed into each other on rapid moves. No wonder their cameras looked beaten up, because that was precisely what they were.
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Blow-up, the movie from Michelangelo Antonioni.
The protagonist uses the Nikon F and this is probably the 50/1.4 ? He also uses a 85/1.8.
And he uses a lens hood outdoors - which makes it a real photography movie.
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Yes. Not only that, the studio-work is iconic ( remember it's a 1966 film) and part of the Movieposter. Perhaps that makes it unique too, a photographer on the movieposter ;)
However, Antonioni built his films on multiple layers which makes it not only a 'Photographers' movie. Estrangement, loss of reality. It has been copied by other Directors as well, Francis Ford Coppola used the theme in 'The Conversation'.
Two other details and the original poster.
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And he uses a lens hood outdoors - which makes it a real photography movie.
Oh well, he did have a hood on the lenses, but never showed any familiarity with the camera and its operation ...
Still, an iconic movie and a time portrayal of the swinging '60s.
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Oh well, he did have a hood on the lenses, but never showed any familiarity with the camera and its operation ...
Yes true. Must be on the directions of Antonioni widening the theory that 'photography (and filmmaking) distort reality... But there is a lot to speculate there.
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Mr. Nolte did a pretty good job of portraying a photo journalist in Under Fire. If memory serves me correctly, the rewind spool on the Nikon's would turn as he shot. Disregard the Leica of course, it didn't get much air time. ;)
(https://lh3.googleusercontent.com/NzxBgpZur1i4MeBDnC_x__yXSEYGSedrg4TtxOY8jUa1mceGq5n-b-2OmnAi4Oym0SMaVC7U0adbjyvgWAdnUGC7voSZzv1xhMMXQ_bkr1L52XoyU1wpxgNnF6xHE04wlIVHyo0Gl2TWLD2JniCY_iLGxWHeuHkdj5ylswzutYJL2Ez3VbB1GSmrsh2VPz0CqmM7aUYLFWRbCE6-lX1MZDN5YJ9XuPSglbW4ze0bloukMMVS6VJYJr8BztX3KsjZxHv-VFZ5Hs5J390EB1EPXCL_HFKsTiT2vfVrtd4m8-kgtCP8J0tStmRHKn_oItQ5mcVeSragng_6ovDhBjXaRfpf4AVhILv_cZI_lI9tUC8LH_3vEs79Q9QvCrN137LiAOL-gq0oH6DzH_bc6kBpvsKjjmshcNhYlxkjQF-vYAwfh9oHSSpS1tsL8yugVaKwkCZulj7LEVS3-Io_OWvbPR44ofBQiT9lUdKwUDrs3EF83tbGgA1uQXuScC3uB62vDgKiTKbIlSo9b6G4ARABu7GSvjqLkKmG5UtyWV8-NjyuPA00UDuqOZwnd5g5NQ0jnFXu=w675-h1000-no)
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That is a cool shot! 8)
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(https://s-media-cache-ak0.pinimg.com/736x/89/f3/ca/89f3cafe4e61e80244022af824c56380.jpg)
"High Society" uses a Nikon S2.
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"The bang bang club" is a movie that comes to mind if you want to see Nikon on the big screen. A good movie.
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"High Society" uses a Nikon S2.
She cannot hold her camera properly either, thus there is no difference between male or female actors in this regard.
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In the 1987 movie 'The Fourth Protocol', the character played by Michael Caine is using a Nikon F3 with a lens/bellows arrangement.
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(https://s-media-cache-ak0.pinimg.com/236x/bb/9a/34/bb9a34f7f81970cd0ee92fdc1acefd64.jpg)
(https://s-media-cache-ak0.pinimg.com/236x/c4/c0/58/c4c058b97004b22b01be20766d5a4678.jpg)
"Live a Little, Love a Little"
When I saw Elvis, he did not have the SP.
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I love this thread. It really takes me back.
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Full Metal Jacket
(http://static.blogo.it/clickblog/matthew-modine-fotografo-per-full-metal-jacket-diary/exposuretestmadebythephotographerinNovember1985.MatthewModine.jpg)
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Killing Fields
(http://2.bp.blogspot.com/-_sXp5MMIau0/VTmGlMxAbkI/AAAAAAAADWQ/pNXk8HpZ_z0/s1600/la-la-et-killing-fields-02-jpg-20140129.jpg)
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(http://www.corbisimages.com/images/Corbis-U1258545.jpg?size=67&uid=2e3a40ef-e8b2-493c-b97f-5c13f2073679)
from corbis. :o :o :o
(i know many people hate this character but what the heck)
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We Were Soldiers
(http://media.theiapolis.com/aR/cDCDCDC/d4/e4/hM8/i13BK/r1/s1/t4/u1L2/wG4/z23/2002-we-were-soldiers-010.jpg)
(http://www.thewallpapers.org/photo/5329/We_Were_Soldiers-007.jpg)
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Oh well, he did have a hood on the lenses, but never showed any familiarity with the camera and its operation ...
Lord knows what you will say about his tripod ;) It does look quite flimsy, although the studio was a real one, belonging to John Cowan - I don't know if it was his tripod.
The original plan was to cast David Bailey as the photographer, but he declined. There was at least one real photographer involved: Don McCullin, of all people, took the photographs of Vanessa Redgrave in the park that trigger the mystery, although McCullin was not told what the plot was about so the photographs would retain documentary spontaneity.
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The (rather average) Bond movie 'Diamonds are Forever' directed by Guy Hamilton and Sean Connery as 007. With Amsterdam as one of the filming locations in July 1971.
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Of course, having one of those 'Never-ready' cases fitted will ensure the handling and grip of the camera is completely screwed up :D As demonstrated here.
If I remember the film correctly, those two guys had one cake too many in the final scenes.
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My favourite is Blow Up followed by Apocalypse now ....Blow up made me want to be a photographer and Apocalypse now made me desire a NikonF.
One film not yet mentioned City of God (2002)
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A funny mock-up of a Photomic finder if there ever was one ... and again, the actor has no clue with regard to operating "his" camera.
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Yes not sure why they needed to mock up the finder?
A few more not yet mentioned....
The Year of Living Dangerously (1982)
The Bridges of Madison County (1995)
Gorillas in the Mist (1988)
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A funny mock-up of a Photomic finder if there ever was one ... and again, the actor has no clue with regard to operating "his" camera.
Well neither do I 'cause it is one of those old-fashioned film thingers !! :-* 8) ::)
But I'll bet Linda Hunt knew exactly how to work her cam. She's awesome.
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Faye Dunaway in The Eyes of Laura Mars. Looks like a 35mm F2.0, I had one, a sweet lens but she has the wrong hood on it. Apparently she got her cam holding technique from celeb photo boyfriend Terry O'Neill.
(https://lh3.googleusercontent.com/4sd2lJrGcDtmXF4d449N6QW7fc0kFb5XRPHhNL6nwN9sgbAhaCeMSW7mmWrAqjWb_9alsPnSGoyWTURdlEu2C05tGdYqzj_j6O7Ed5_lAFLRX3knm36dvxrb7tOrPrRCHWid7IcdUPj6H2x4WisuQNQF7_vMF4q_K-tbzG5W192RwAoflFgJ4eLTZzEx6CBJqWUYcIYW54_R9Iw5_a7Hqc3SPAyKA-6_F1C-6v2JYYOx4AhlJvRQwhHVXP9IBRZ7xpKb2DaqnWZCDqkmMVbNIm0Xx-WdqeltO9sc2mYXpiruTfmkEFmnGrsc57QAQ9tkU_b2Ies06XIUC9hU_7I5H0wJv0QTpF6KsmE2gZQEUe06LkaNg8wH_b646vOAE2b-6gvET_Dj6gIZq-8mHbg1XqCIqs_2oR5AN362ns7fVnkRGcdskZEr2zTV23wwuxywhI0OXB6kLQ6o7Obi9UtRaAUHE4esJU4EYchKxqD-FAYgc637Do8Ff4HhD1UvEyJV8OeHNUxG2taf2WOl277iF0sW-pCBGESl5qyee07Q_Pi2fD5KPkpMK03RgNz3dMJsFEgt=w1220-h812-no)
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In the 1987 movie 'The Fourth Protocol', the character played by Michael Caine is using a Nikon F3 with a lens/bellows arrangement.
LOL. He really isn't looking out the window, there is a dust speck on the curtain that needs scrutiny.
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Lets not forget the Scandinavian Cinema. 'The Passion of Anna' (En Passion, 1969) a Swedish film by Ingmar Bergman with Sven Nykvist as Director of Photography. Erland Josephson 'plays' the photographer.
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Ah. Finally an actor getting the grip. Trust the perfectionist Bergman to get everything as it should.
Camera is Nikon F + F-36 Motordrive (Cordless) and the lens probably 50/2 with snap-on hood; a common combination at the time.
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(http://pds.exblog.jp/pds/1/201211/02/65/d0235865_7173467.jpg) :o :o :o
"あなたのために" or "where the heart is"
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My favourite is Blow Up followed by Apocalypse now ....Blow up made me want to be a photographer and Apocalypse now made me desire a NikonF.
One film not yet mentioned City of God (2002)
He's not holding it wrong...the photo...or the shot in the movie... is flopped. The finder appears not to be mocked up, but merely taped over also.
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He's not holding it wrong...the photo...or the shot in the movie... is flopped. The finder appears not to be mocked up, but merely taped over also.
i guessed that as well :o :o :o
because i did not see the shutter button
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The secret life of Walter Mitty
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I am number four
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Planet of the apes
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cool thread :)
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So what are the lessons to draw from the presented evidence?
It takes an ape to hold a camera. Most actors cannot do it.
True food for thought.
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A twist on this Thread ... instead of movies with Nikons in them, a Nikon capture of an actor in a movie.
(http://www.garyayala.com/Photography/Black-Whites/i-wmL5B6B/1/O/G-Peck-UE.jpg)
Gregory Peck on the set of "MacArthur". (Onboard the USS Los Angeles, the scene with President Harry Truman.)
Nikon F2 w/ Nikkor 85mm, Tri-X @ ASA 1600.
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One film not yet mentioned City of God (2002)
It's not a bad movie.
Unfortunately someone has reversed the image's orientation.
Here's what the shot should look like.
As you can see, it's a Nikon F with a bit of tape attached to the finder, perhaps Nikon didn't want to pay for the product placement in the movie.
The name of the character holding the camera is Rocket, played by Alexandre Rodrigues.
As you can see; he has a pretty good idea as to how to hold the camera.
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In the 1988 movie 'Crocodile Dundee II', the character Bob Tanner, played by Dennis Boutsikaris, is using a Nikon F3 and Relfex-Nikkor 500mm.
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I believe a Nikon F appears (though it's not seen used) in Alfred Hitchcock's Topaz, and an F gets used a good bit in the movie Z.
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Another Swedish movie ;) A rather strange and violent 'Revenge-Movie': 'Thriller, en grym Film' (Thriller A Cruel Story, 1973) by the Swedish director Bo Vibenius (also the assistant director in Bergman's Persona). Quention Tarantion remarked "The roughest revenge movie ever made". One of those 'weird' films from the early seventies breaking all existing film conventions. Swedish censorship banned the film in April 4, 1973.
Took some screenshots from the DVD.
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Surely, it takes more than showing off a half naked female to get censored?
Again, the actor is clearly not comfortable with handling the camera.
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Yes, it gets even worse. He uses the motor drive and comes closer without focussing :D Too embarrassing to take a screenshot.
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Spy Game
(http://www.2flashgames.com/mp/2001_Spy_Game/2001_spy_game_010.jpg)
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200mm f/4 Ai-S. :o :o :o
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(http://41.media.tumblr.com/534bebb398827fa3e1e2496a7b66a5ab/tumblr_mut5h3ZUpJ1rfwft8o2_500.png)
Macgyver :o :o :o
he is smart and a personal favourite of mine a long time ago, but with all his intelligence, he forgot to leave the duct tape off of the focusing ring ::)
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A fix-focus rig.
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In the 1994 movie 'Clear & Present Danger'; a digital camera is used..............where a Nikon F90/N90 film camera is attached to a Kodak digital back and branded the Kodak DCS-420.
The way the set up is shown in the scene suggests that some sort of 'live-view' is taking place. I'm not sure if such an early digital camera was capable of this feature.
The image shown on the monitor appears to be infrared, there was a version of the DCS-420 that was specifically sold as an infrared camera.
Attached to the Nikon body is a Relfex-Nikkor 500mm.
This is the earliest movie that I know of which shows a digital SLR being used.
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along the themes of Nikons/nikkors used in movie making, one of the most famous and rarest of nikkors (the 300mm f2), was used in cinematography in the early 1990's.
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Famous it may be, but not very rare as over 400 units were made.
I had one of them for some years. Very heavy beast and not very practical to carry into the wild for sure. I finally sold it off, but kept the special edition TC-14C that came with it as it could do duty on my 200/2.
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True Bjorn but 400 is still a very small number in runs of sometimes many thousands. Plus, some 35 years later there may be much less than 400 now.
The T2.2 version of this lens which was also used for this purpose had a production of a little over 20 units at the time. Who knows how few of these are now left in good working order.
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True Bjorn but 400 is still a very small number in runs of sometimes many thousands. Plus, some 35 years later there may be much less than 400 now.
The T2.2 version of this lens which was also used for this purpose had a production of a little over 20 units at the time. Who knows how few of these are now left in good working order.
don't get to see these very much :o :o :o
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I know personally of at least two samples of 300/2, four of the 200-400/4 ED, and one example of the 6/5.6, to name but a few lenses made in less than 500 units.
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I know personally of at least two samples of 300/2, four of the 200-400/4 ED, and one example of the 6/5.6, to name but a few lenses made in less than 500 units.
Yes, again, no doubt true but the point being discussed is the Nikon lens or cameras used in movies or movie making. Mongo is unaware of any 200-400 mm and 6mm used for this purpose notwithstanding that relatively very few were made. It may be easier if Mongo's original post is read by omitting the words "and rarest of ". What is rare is a relative and sometimes subjective thing and for the present purposes is not directly relavant in any event. So, whether or not it is rare is best abandoned for the present.
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(http://2.bp.blogspot.com/-FlRgdGtqfXY/VYM-kXkxFMI/AAAAAAAABrY/8B3h21ePpks/s1600/miller1.png)
george miller used a D800 as scout camera on location.
the madmax seris is so special to me, that until this day and at my age, i still wear a mohawk :o :o :o
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I just ran across another movie Nikon in The Deep End of the Ocean, a soaper about a missing child. The mother, played here by Michelle Pfieffer, is a professional photographer (has a nice looking darkroom and stuff), and uses a square format thing that looks kind of like a Mamiya with a prism for studio work, and 35's for field work, and she's shown with what looks like a Nikon F5. The movie supposedly spans a nine year period starting in the 1980's, but I can't recall whether the F5 occurs anachronistically or not, and the movie, on VHS not DVD, was not good enough to bother watching a second time.
I should add that, of course, in the usual movie manner, the Nikon, whatever it was, makes the motor drive sound of an F. There is, also, at least one bit of realism here, in that in the critical scene where she is using the Nikon and a telephoto lens to identify the boy who turns out to be her lost kid, she runs out of film at at about the right time.
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Yes indeed Matthew.
The character that Michelle Pfieffer plays is shown using at least 3-4 different cameras.
The Nikons she uses are an F3 (which appears briefly as she does a lens/body swap) and then for the rest of the film she is seen using an FM2 with a Nikkor 105mm f/2.5 and also a 180mm f/2.8.
One of the rarer films where the actor can be seen to be actually holding the camera correctly!
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Thanks for the clarification, Ron. I did not have a good enough view on VHS to isolate the camera. If it's an FM2 with a motor drive, then the sound makes more sense, as does the viewfinder view in which we see the subject being brought into focus. It's also not anachronistic even if she had it in her kit at the time of the kidnapping.
So I guess we must give the movie props for photographic realism even though I'm sorry to say that does not save it, in my humble opinion.
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Just stumbled across the movie Yellowbrickroad yesterday and to my surprise saw (and heard) the first monochromatic mirrorless Nikon D700.
The actor is seen trying to change a lens in th ebackground of a campfire scene and I wonder why they left that scene in because he never managed to find out how the lens mounts back on the camera.
Most of the photographs taken are shown as black&white images
The sound queue played in during editing does not sound like a mirror is moving. It also does not sound like a vertical travelling shutter but rather like a cloth shutter (compared to the sound my F makes after I switch it to mirror-up and the sound gets closer but not quit ethere. No titanium foil horizontal shutter sound either)
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We Were Soldiers
(http://media.theiapolis.com/aR/cDCDCDC/d4/e4/hM8/i13BK/r1/s1/t4/u1L2/wG4/z23/2002-we-were-soldiers-010.jpg)
(http://www.thewallpapers.org/photo/5329/We_Were_Soldiers-007.jpg)
The event in Viet Nam occurred before the invention of the FTn Finder, so the usage of a Nikon FTn by Joe in the movie is incorrect. (Since I know the Set Decorator from the film I corrected him--he, in turn, blamed the set dresser).
Dan
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The event in Viet Nam occurred before the invention of the FTn Finder, so the usage of a Nikon FTn by Joe in the movie is incorrect. (Since I know the Set Decorator from the film I corrected him--he, in turn, blamed the set dresser).
Dan
Well spotted Dan :)
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Publicity shot of Indonesian-Dutch actor Laura Gemser, for the 1976 movie titled 'Black Emanuelle'.
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https://www.youtube.com/watch?v=qUQsozpZUSw
Nikon F Ftn at 0:58
https://www.youtube.com/watch?v=12tce-THLUE
Nikkormat at 1:52?
"soul brother too boucoup" :o :o :o i dont remember this scene ::)
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LOL.............classic scene.
I'd forgotten about the Alabama black snakes :o
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i dont really remember the movie a lot to be honest. kubricks's angles are very good by the way :o :o :o
one of the characters is often seen with a Nikon.
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https://www.youtube.com/watch?v=wOWOqBkTnRM
i hope MTV's count :o :o :o
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https://www.youtube.com/watch?v=wOWOqBkTnRM
i hope MTV's count :o :o :o
Looks like a Nikkor 200mm but not sure what the camera is.........an FM2 maybe?
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FM2 :o :o :o
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https://www.youtube.com/watch?v=KCjMZMxNr-0
FM and some Nikkors :o :o :o
saw Duran Duran live in 2009 i think. Simon and Nick still look as good as they did back in the days. they aged VERY well. plastic surgery? maybe.
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speaking of Nick Rhodes... :o :o :o
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:o :o :o
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Salvador James Woods, John Savage..
Triage Colin Farrell.
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Revisited William Friedkin's excellent French Connection movie: at the beginning, vilain Fernando Rey offers à Nikon F body to his girl friend:
(http://camaracoleccion.es/imagenes/French_conn_a.jpg)
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Revisited William Friedkin's excellent French Connection movie: at the beginning, vilain Fernando Rey offers à Nikon F body to his girl friend:
Lucky girl!
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Peter Sellars and Stanley Kubrick on Dr Strangelove, both with Nikons
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Peter Sellars and Stanley Kubrick on Dr Strangelove, both with Nikons
From what I've read; those 2 were reeking havoc behind the scenes and on-set.
Running around having fun like a pair of young boys.
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One can imagine the duo roaming around completly uncontrollable :)
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YEAH BABY!
Publicity shot for 'Austin Powers: International Man of Mystery', from 1997.
Mike Myers with the very lovely Elizabeth Hurley and a Nikon F (with a winder but no battery pack).
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Nikon F4 on a cartoon movie :o :o :o
from:
http://blog.livedoor.jp/nichirou/archives/54133116.html
(http://livedoor.blogimg.jp/nichirou/imgs/2/8/2831615d.jpg)
(http://livedoor.blogimg.jp/nichirou/imgs/0/9/094acdd2.jpg)
(http://livedoor.blogimg.jp/nichirou/imgs/c/7/c7d27833.jpg)
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http://blogs.yahoo.co.jp/maturyope/22602134.html
from the movie "I am" :o :o :o
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Peter Sellars was of course well known as an enthusiastic photographer!
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the previous Australian PM as well, he was an avid Nikon guy. in fact, just a few days before he died, he ordered the 300PF :o :o :o I forgot where I read that bit
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Nikon SP in iconic Hatari movie (1963)
(http://1.bp.blogspot.com/-wd0HX9d-09E/T3nxA8YSlnI/AAAAAAAAD5A/mtcx3O9699g/s1600/h2.JPG)
(http://4.bp.blogspot.com/-fqGQVNbHR_4/T3nxQerqcAI/AAAAAAAAD54/X5I7h4t5f5s/s1600/h9.JPG)
Not sure for this one
(http://2.bp.blogspot.com/--UYv5maTBa4/T3nxCa4qphI/AAAAAAAAD5M/B-pBo3H7BKE/s1600/h3.JPG)