NikonGear'23
Images => Life, the Universe & Everything Else => Topic started by: Andrea B. on August 28, 2015, 03:01:12
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Just experimenting.
(1) Impressionistic dawn view from deck of summer house on a very foggy morning.
- Highlights pulled down.
- Saturation increase. Contrast increase in foggy areas.
- Minor colour adjustment to bench in foreground.
- Local contrast enhancement.
- Hand-held over 5" interval to create impressions.
- Df + 28/1.8G :: f/8 for 5" @ISO-100 EV+1
(2) Non-impressionistic dawn view of Greening Island on a very foggy morning.
- Intruding leaves cloned out in the lower right.
- Minor brightness increase on spruce tree (left side).
- Minor contrast increase on island land mass. No other edits.
- Df + 28/1.8G :: f/8 for 1/10" @ISO-400 EV+1
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I really like the impresionist shot
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I like the serenity of #2. Very relaxing.
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Agree. Impressive, especially Nr. 2
It looks like the combination 28 1.8G with the Df is a successful one?
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I like the color of #1 and the asmosphere of #2. Both experiments seem to work.
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The first one is just lovely. It is not so easy to use camera movement during exposure to achieve a pleasing result. I feel you managed this great here.
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#1: Not sure it works for me, can't really decide.
#2: Very nice, I would love to quietly sit there, with a cup of coffee and enjoy the silence.
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Thank you everyone for stopping by and commenting!
John, the 28/1.8G is a perfect match. Very light combo and very easy to use. I used to like 35 as my fav wide-angle view, but recently I've moved to 28 and found a love for it.
Frank, I would almost say that #1 was accidental. I was trying various ways to get impressionistic scenes - multiple exposures, movement, other trickery. Most of them were failures. This one worked, but did not initially appear as though it would until I found that the Df had a good amount of 'headroom' in the highlights.
In the second dawn shot I was (still am !!) unsure that the light/dark masses worked well. The sun was rising directly in front of me. However, the main triangularly shaped mass of light is on the left - leaving darker areas on the upper & lower right. I'm still not sure why the light is like that except to note that the main continental landmass is to the left and the ocean is to the right. Also there is fog off the ocean. So somehow that all combines to create the triangled light.
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Non-impressionistic view - what a shot. Just live the silky smooth effect!
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Andrea, it seems as though you are serious about photography :)
Like the rest, the 2nd image is special.
However when I saw the 1st image on my phone, I thought it was the better one...
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Well, I'm on my phone and the first ones has a very unique appeal.
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Greening Island is so a beautiful scene, so serene but I like very much also the impressionistic shot.
I've been experimenting for almost 2 years now on abstracts in many ways, moving the camera, hand holding the camera on long exposures or simply over saturating but never creating anything artificially in PS.
I might post something on another thread...
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Very nice pair of shots. :)
#1 works very well for me.
My fav is the pic #2 : as said before, inspiring serenity and peace.
I love the opposition between the general blue pastel and the dark green color of the tree as a foreground.
Cheers, Francis.